Read full Shure SM57LC Review
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Category: Electronics
Brand: Shure
Model: SM57LC
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Shure SM57LC Product reviews
Shure SM57LC Review by PPT
First, let me say up front that this is a 5-star product. An excellent microphone priced perfectly for the beginner to the advanced artist. The purpose for this review is to state exactly what another reviewer mentioned regarding fake\counterfiet Shure microphones. I purchased one here from a third party merchant named MASON35. Upon receipt of the product, it was very evident i had been scammed, and sure enough after research, concluded i wasted $70.
Shame on me for not keying in on the fact it was listed as NEW for $29 dollars less, but i honestly did not realize what a market there is out there for this model microphone in terms of counterfeiters and fakes until you google it. Seriously folks, DO NOT buy this product from ANYONE here on Amazon that is NOT an authorized dealer or reputable online retailer. Take a look at the list of merchants selling this product. You can pretty much tell who are legitimate stores and which ones are just someone posting an item.
Shure SM57LC Review by David L. Vasser (Charlotte, NC USA)
Although this mic is now considered primarily an instrument mic, that was not always the case and I've actually preferred this same basic design for live vocal use since 1970 when I bought my first one which was then known as a "Shure Model 545 Unidyne III." That mic got stolen about 2 years ago, but remarkably was still working at the time it got boosted and I was still using it when I needed one with an on/off switch function. I've owned or used countless modern day SM-58's and SM-57's along with dozens of other mics over the years from all manufacturers. I have a fairly deep baritone to bass type voice and I don't need to get closer than about 7 or 8 inches to a SM-57. To me the SM-57 sounds similar to the $469 Shure SM-7 studio vocal mic if you put a windscreen on it and get about 2 inches away. I'd only use an SM-7 in a studio environment though because they are slightly more fragile and over four times as expensive. By design the SM-58's require you to get much closer to the mic to get a full range sound than with the SM-57's. I prefer the SM-57's over the SM-58's for vocal use because they sound crisper on the highs and they sound fuller on the low end. The SM-57 sounds more natural on vocals and never sounds muddy or muffled. The SM-57 has one of the most pronounced proximity effects of any mic I've ever used. If you tend to shove the mic down your throat you may benefit from the less dramatic proximity effect of the SM-58. If you are ever going to use an SM-57 for vocals I'd recommend buying the Shure A2WS windscreen with it. That genuine Shure windscreen fits precisely and locks securely onto the SM-57. The SM-57 will pop like mad without one. The only possible drawback to the SM57 as a vocal mic is that there is no model available with an on/off switch these days. I can't find a modern SM-57 with a switch anywhere. However, if you've ever tried using a mic when you forgot that the switch was in the off position it probably just became a liability. For my money, the SM-57 is the best all around microphone of the past two generations for stage use and some recording purposes. For studio vocals I'd use an SM-7, which really doesn't sound all that much different from the SM-57 when the built-in variable EQ on the SM-7 is set the way I like. The SM-57 and it's predecessors are to me the best all around microphone since 1970 and certainly the most enduring and durable. You can not go wrong unless you get too close with no windscreen.
Shure SM57LC Review by Gordon K (Pacific Northwest)
This is my preferred vocal mic for live performances. I've been using it for decades. (The Neuman KMS 105 might sound a bit better, at 6 times the price. Then again, it might not!) And the 57 is a surprisingly good performer for vocals in the studio. I like my large diaphragm condensers for some things, but when I want to wail, the 57 is still among the best I've found. Maybe THE best. The special Shure A2Ws windscreen is the reason for my new appreciation of the 57. With the windscreen in place, breath noise and plosives are gone (unless I get really sloppy). I a/b'd the 57 with the windscreen against a Shure SM58. The 58's a great mic, but the 57 sounds more open in the top end (as other reviewers have noted.) Generic windscreens don't sound as good with this mic. They tend to be too thick and dense, blocking a lot of the high frequencies. Spend the $15 and get the A2WS. It has a set screw that enables you to lock the screen in place, leaving a small air space between the foam and the mic's grill. Gives it a nice, open, airy sound. The 57's not a high output mic, so you'll need a bit more gain in the preamp compared to some mics, but that's a very minor drawback.
For mic-ing guitar amp cabinets, this is an industry standard. Also good for snares, toms, even kick drums. (Take the windscreen off for these applications, of course.) It's probably the most versatile microphone ever made. At around $100, there is no better bargain.
More Reviews...
Shure SM57-LC Cardioid Dynamic Microphone:: Features
- Extremely durable under heaviest use
- Professional-quality reproduction for drum, precussion, and instrument amplifier miking
- Contoured frequency response is clean, instrumental reproduction and rich vocal pickup
- Uniform cardioid pickup pattern isolates the main source while reducing background noise
- Frequency response 40 to 15,000 Hz
- Item Dimensions: 6 x 1 x 1 inches; 1 pounds
- Brand: Shure
- Model: SM57LC
- Product Type: Electronics
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